objkt M A G
objkt M A G
Digital Art Culture + Infinite Possibilities
INHABITING THE THRESHOLD
“Both past and future are largely imagined constructs. Even though we have some evidence of the past, we constantly reconfigure it in our memory. I find this reconstructible and reproducible nature of time to be a fertile ground for artistic exploration.” — Ceren Su Çelik
SYNTHETIC ABSTRACTIONS
Tom White’s series Synthetic Abstractions (2018) is the first release as part of PIONEERS. In conversation with Anika Meier, Tom White talks about the collection and his history working with AI and generative code for the past 25 years.
Chronogrid:An interview with Joain
“The tools may be digital, but the thinking is tactile.” – Joain
FrameFrens: An interview with Schauermann
“Art is my playground—and I don’t want anyone else telling me how to play.” - Schauermann
Secret Meadow: An Interview with Negar Sepehr
“I believe discovering underlying desires through dreams can bring profound joy.”
- Negar Sepehr
An ode to the underground - with strawberries
Berry biolence is the new solo show by littlecakes on objkt.one gallery, dropping this Thursday, the 17th, at 6 PM CET.
To Val Kilmer
“We’re all ghosts in a way. I found Val’s ghost in his poetry, while he was still around. And I listened back to it today.”
- Laurence Fuller
Past Futures - An Interview with ex_mortal_
“With every passing moment, the future becomes the past. With every passing minute, our memories of the past shift—distorted, perhaps idealized, however subtly.” - ex_mortal_
Castigat Ridendo Mores - A Talk with Kiszkiloszki
“My love for mankind, my depressions, and my fears are the real fuel for my art and creativity. In a way, I’m actually grateful for their presence in my life - at least as long as I can keep my demons in check.” — Kiszkiloszki
TERMINAL VELOCITIES: An Interview with LEGIO X
“I don’t overthink it—I just let the pieces come together naturally once the vibes feel right.” - LEGIO X
Digital Dioramas
“Experimenting and play for me is paradoxically the most direct route to what I am trying to achieve.” — Paul Prudence
R▲ND✜M⦿P☻LIS: An interview with Iv Solyaev and Elena Lazutina
A world born from randomness, pieced together like a theatre of absurdity. A parody of our own reality — where everything feels like a freak show, a joke, a performance. Absurd times.
Maskay, an artist community in the NOA region of Argentina
Today we discuss with artists from the @maskaycommunity, a community founded by @stipinpixel in the NOA region of Argentina, and yungas and peripheral areas to help artists and artisans in the local area in web3.
Bubblebble - An Interview with Ed Marola
“We are now in a bubble inside another bubble
Digital beings dreaming pixels”
The Dark Sides of the Mind: An Interview with Demon Ego
Demon Ego takes us on a journey through his artistic evolution, exploring how childhood fears and nightmares have shaped his unique approach to art and healing.
New to objkt: Pixel Symphony
“The goal is to create something that invites deeper reflection and connection.”
Bridges to Web3: An Interview with Ivana On The Block from Hartverse
Even in a world increasingly shaped by AI agents a real community is still made up of people. And to build a strong one, individuals like Ivana On The Block, founder of Hartverse, a creative hub based in Belgrade, Serbia, are invaluable.
Interview of 2 newly onboarded artists through the Hartverse course
Today we interview two artists from Serbia who have been onboarded by Ivana On The Block through the Hartverse course. Read the article to learn about their experience.
Down the Silicon Meadow
A story about coexistence. Down the Silicon Meadow, a new exhibition presented and co-curated by the OFFICE IMPART and Blueshift, opening this Thursday, January 23, invites seven artists to look, reflect, and explore connections between synthetic and organic systems in a universe where nature and technology do not compete for dominance but are allies.
The Essential Nature of Collecting – An Interview with Chris Coleman
“I hope more people collect art to appreciate it and live with it — and for that, we need more people willing to display digital art on devices in their homes.”